Polyphonic Synthesizer:

Modal 002
Modal Argon8
Moog One 16
Nonlinear Labs C15
Waldorf Blofeld
Waldorf Quantum
Waldorf XTk30
Wersi Stage Performer

Monophonic Synthesizer:

Behringer Odyssey
Casio VL-1 Tone
Dübreq Stylophone
Korg M500 MicroPreset (for sale)
MeeBlip (for sale)
Modal 001 (for sale)
Modal CRAFTsynth
Modal CRAFTsynth 2.0
Modal Skulpt
Modulus monoWave
Moog miniMoog (1979 & 2017)
Moog Minitaur
Moog Prodigy
Moog Sub Phatty
Moog Taurus III
Moog Voyager
Sequential Circuits Pro-One
VacoLoco Zira
Waldorf Pulse (for sale)
Waldorf Pulse 2


Synth-Werk Modular
Synthesizers.com Modular


Korg MS-20 mini (for sale)
TTSH (ARP 2600 clone)

String Machines:

ELKA Rhapsody 610
Eminent 310 theatre (for free!)
Hohner String Vox
Logan String Melody
Waldorf Streichfett
Waldorf STVC

Other Keyboards:

Manikin Memotron
Mellotron Micro


ARP Sequencer (clone)
Baloran TriKo
Behringer Mixer MX2642A
Behringer Mixer MX8000
Behringer Rack Mixer RX1602 (2x)
Boss DR-220E
Digital Raagini
EEH DS 500
Electro-Harmonix Small Stone
Georg Mahr Midi-Ratsche
Georg Mahr Transpo-An-Se
Ibanez Digital Delay DM1000
IBK 10 Control
Korg K25
Kurzweil XM-1 Expression-Mate
Lexicon Model 200 reverb
Modal Craft Rhythm
Mode Machines Krautrock Phaser
Moogerfooger Ring Modulator 102
Moogerfooger 12-Stage Phaser 103
Moogerfooger Analog Delay 104Z
Moogerfooger Murf 105
Moog MP201
OTO Machines BAM
Roland TR-08
Schrittmacher's Inside
Schulte Compact Phaser (19")
Simmons SDS-V
Strymon Timeline
Synthoma Élkorus
VacoLoco Tron
Waldorf 4Pole
Waldorf EQ27
Wersi Voice (BBD FX)
Waldorf midiBay
Waldorf Becher/Mugs


Access MicroWave controller
Alesis Andromeda A6
ARP (Korg mini) Odyssey
ARP Quartet
Crumar Multiman S
Crumar Performer
EES Midi CV7
ELKA Solist 505
ELKA x705
Emu Emax II
Farfisa Soundmaker
Farfisa Syntorchestra
Grp A4
Hohner ADAM
Hohner String Performer
Jen SX1000
Kawai SX-210
Keio Mini Pops 3
Korg PE1000 (Poly Ensemble)
Korg PE2000 (Poly Ensemble S)
Modal 008
Moog Satellite
Oberheim Matrix 6
PPG waves
PPG wave 2.3 (V8.3)
Rhythm Ace 2l
Roland TR 606
Roland M-VS1
SCI model 700
Seiko DS 202+310
Sound-Art Chameleon
Technosaurus Cyclodon
Vermona Piano-Strings
Waldorf microQ keyboard
Waldorf Q
Waldorf XT30
Waldorf Gekko Chords
Waldorf Gekko Arp
Waldorf microWave
Waldorf rackAttack
Waldorf Wave
Waldorf waveSlave
Wersi Baß Synth
Wersi String Orchestra


K. Schulze's "Sense"

Helper Apps:

Hz-2-cent Calculator

M@ail & Impressum

© Till Kopper

Korg Polyphonic Ensemble 2000 this is ex-gear / sold

Korg PE-2000 overview

Often also named Poly Ensemble S or K-5 or even Poly Synthesizer (named so on the front page of the service manual). Why did Korg used so many different names is still a mystery to me.

Built from 1976 to 1979/80 it is often mistaken as being a better or expanded version of the Korg PE-1000. But this is not like this! It is technically a grandfather of the 3 oscillator Korg Lambda. The PE-1000 got more keys and some nice added controlls like a variable vibrato. But the PE-1000 sounds very different due to the lack of the multiple oscillator design.

Its main feature compared to nowadays keyboards is its full polyphonic structure. That is, each and every key will make a sound at the same time (if needed). No voice stealing on long release time notes.

It is build like so many keyboards of this time in a suitcase like box with a detachable lid. Nice for live gigs.
The "flowchart" is from right to left (!)

The power switch
with its red little lamp is on the very right of the instrument.

The tuning section
adjustes the master tune and allows to detune the second and third oscillator for a more fuller or animated sound. This is the very special part of this machine and the reason for sound very different from those many, many italian string machines from the same time. The PE-1000 is not build like this. So consider the PE-1000 as something ery different and not the little brother of this one.
The added preset vibrato differs from preset to prest catagory. Ofcause no vibrato on the organ sounds.

The envelope section
with Attack and the Release (named Decay) controls is typical for string machines from this time. The sustain is not endless, no matter what sound you try. But it holds long enough for normal musical playing. So this is not a minus.

The preset section features

  • Pipe-Organ 1
  • Pipe-Organ 2
  • Chorus 1 (= Choir, not the FX of the same name)
  • Chorus 2
  • Brass 1
  • Brass 2
  • String 1
  • String 2

You can select one or two of the presets at the same time. But they have to be either #1 or #2 presets being selected together.
The output section
features a little Bass and Treble EQ. A usefull addition!

The phaser
on this one (not included on other Korgs before this one) is a very nice addition to the sound. Only the phasers rate is variable. If one uses the straight dry output on one side of the stereo field and the output with the phaser for the other side, you get a nice stereo movement to the sound on slow phaser settings. If the phaser is shut-off (full counter-clock turning till it clicks), you get the same signal on both outputs.
Ofcause there is also a Volume knob adjusting the overall volume.

The headphone socket
with extra adjustable volume is a nice welcome on a pro and a home keyboard.

Korg PE-2000 opened

The sound is not as smooth as the Lambda, but way different them most other string machines. This is mainly because of the sound animation is not done by a preset ensemble unit. This time the manufacture used the hard way of adding movemnts to the sound: 3 oscillators. Of cause these are build in the organ like top-octave divider with divider chips to generate multiple ranges of keyboard octaves or different octaves being mixed.

Korg PE-2000 oscillators

You can tell the year of the production of these string machines by the knobs being with a white scale on the early ones. The later, like mine, got the MS-20 like knobs.
Earlier models also got "Reed" and "Wind" as the first two presets. While the changed this rather quick (?) to two organ presets.

Korg PE-2000 octave dividers

Here are some musicially simple examples:

 Pipe-Organ #1 then #2

 Chorus #1 then #2, phaser added at 0:28

 Brass #1 then #2, both with phaser

 String #1 then #2 with phaser, then detuned, then back to #1